Jesse Brown, who created Montague, takes a potentially interesting tack in that his character is both abuser and abused. Most of the others are long-suffering victims, which means that they're passive and therefore less interesting because their narratives get stuck in ruts.
Scene 1: my parents are ignoring me. Scene 2: my parents are still ignoring me. The resolutions of the characters' stories are glib and almost universally upbeat. Casey and Maddy, who have just met, head off to a drop-in centre together. Via magically overcomes her drug habit. Only Montague is left alone.
Next time around, I urge Methot to focus the work and develop fewer scenarios with more active characters.
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